A spectacle device for a more animal public domain.
A welcome center for Ithaca, New York's Learning Farm.
Stop motion animation as an engagement tool for community-urban agriculture.
Collapsing performance art and designed object to construct an urban horse.
The ideal bird.
Geometrical analysis and reimagination of Phillip Johnson's Roofless Church.
A free neighborhood celebration of Chicago's street food history.
A wearable spectacle device for streetside hand-balancing.
Emily Caywood designs apparatus, performances, and events which intervene in the public domain.
Her emphasis on movement and apparatus as modes of spatial co-construction emerges from her background as an acrobat, devising and performing in Chicago, Ithaca, and Rotterdam, NL. Her training situates spectacle as a powerful instrument for exchange.
Emily holds a B.A. in Dance from Wesleyan University (2017) and will complete her M.Arch at Cornell University in 2026. References available upon request.